There are billions of people in the world who are cooler than me. Fortunately, I happen to be friends with many of them. One specific friend/person who is cooler than I will ever be and also longtime Motherfish support is my friend Bryan. You may remember him as the bloke who drove my spare keys down to me over the summer when I was too busy being a babbling idiot outside of Starland Ballroom to remember not to lock my actual keys in my car. Bryan's always been a great person to talk music with; I'll frequently bounce ideas off of him or chat him up about what I've been listening to lately, and he straight up tell me if a review is bad or if some band I've been obsessing over is actually trash. So, today I want to give Bryan the best shout-out I can by featuring some of his work. This isn't an album review but is a snippet from an interview Bryan had with none other than Keith Buckley from the band Every Time I Die (I told you Bryan is cooler than me, the most famous person I've ever interviewed was YOUR MOM). Enjoy the fuck out of this, I know I did.
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Bryan: Alright, so you are Keith
Keith: Yes, I am Keith. I’ve got some ID to prove it.
Bryan: Hopefully that won’t be necessary. So you guys are on the Epitaph tour now. How’s that going and what’s it like touring with Bring Me the Horizon?
Keith: Awesome! These shows have been some of the best we’ve ever played, and we’re playing places that…I hadn’t thought about a headlining tour and I never would’ve imagined played them because they’re just incredible, like the House of Blues in Boston yesterday- we had almost two thousand people. It was fuckin’ nuts, so, I’m really excited. It just validates the record, really. I mean we put out the record a few weeks ago, and people are obviously liking it, ‘cause they’re coming out and watching us and singing along.
Bryan: You’re a big touring band, and at the shows you maintain the intense sort of screaming you put on the record. How do you manage to keep that up?
Keith: I think a lot of it’s mental actually. I don’t subscribe to the whole like, “after the show you don’t talk”, “you gotta drink eight gallons of water a day”. I just feel like being confidant is all it takes- and staying hydrated and making sure you get sleep. Today my voice is going a little bit so, I think my body knows, like I said with it being mental, I think my body knows that we have tomorrow off so it’s starting to shut down, cause tomorrow I won’t do anything. I definitely think just being confidant and…y’know…I advise drinking beer before playing. It’ll make you a little mucusy and that always makes for a better-sounding scream.
Bryan: It’s also probably also terrible Long Island weather. That can’t be helping…
Keith: That’s true. We are getting back to the cold weather, which is gearing us up properly for Buffalo.
Bryan: Recently you guys lost Mike (Novak) on drums. What happened? Was it a pleasant parting or is there animosity between you guys?
Keith: I dunno…I know that he didn’t leave on the best of terms. He was kinda forced into leaving, but I dunno man, it’s not like there’s any ill-will really. I mean, he’s gunna do something. I think he’s trying to get back into a band, so…good for him. We don’t really have anything in common so there’s no reason for me to pursue a friendship afterwards. Just kinda went our own ways.
Bryan: That’s good I suppose. I was actually watching a bunch of interviews of you guys…
Keith: to get geared-up?
Bryan: Yeah and, I can’t remember in which one, but you mentioned that a big inspiration on The Big Dirty was watching Federico Fellini’s 8 ½, which is a wonderful movie. I was wondering if there were any pieces of cinema that spurred on New Junk Aesthetic.
Keith: Y’know, I’m not too sure. I definitely think that Rosemary’s Baby was one of them. Just kind of the idea of it, and that kind of spawned ‘Roman Holiday’…
Bryan: Which really is a big departure, sonically…
Keith: Yeah, it is! I’m very excited about it. I think that the idea of stoner rock like that- just kind of like slow, drudgy stuff. We all listen to it but we’ve never really incorporated it, so I was really glad that we got to this time. I think that was due in part to the fact that our drummer, who usually puts the kibosh on any new idea we have, really stopped caring about the recording process, so we were able to experiment a little more. As Far as movies, I dunno…8 ½ was definitely a big one. Another Fellini movie, La Dolce Vida, was a big one for me too. I guess if there’s any movie that kind of sums up this record, it’s that. I mean, it translates to ‘the sweet life’ and there’s a song (on the record) called ‘the sweet life’. That was a big part of it. It’s like, refusing to grow up when everyone around you is, and the disastrous effects it has- just being the last dude at a party, just breaking someone else’s stuff…was kind of the theme that stuck with me when writing.
Bryan: Haha, that’s a great image. As far as recording the album, what’s it like working with Steve Evetts?
Keith: He’s a great dude. He knows where we’re coming from, and knows what we hope to achieve through the music. Very hands off. He’ll propose amazing ideas but if we don’t like them, he doesn’t push them, he just lets us feel out our own vibes. We appreciate that. He’s guiding us- he’s not making us go in any direction, he’s just making sure we get across the road safely.
Bryan: Now, on a lot of your albums you have a lot of big-name guest vocalists- Howard Jones from Killswitch Engage, Gerard Way of My Chemical Romance, Daryl Palumbo from Glassjaw…
Keith: Howard wasn’t even in Killswitch back then! He was in Blood Has Been Shed. I made him!
Bryan: crafted him with your own two hands
Keith:*joking* If it wasn’t for that guest spot he wouldn’t be in Killswitch!
Bryan: Do you invite people that you’re already friends with to sing on albums, or do you make friends through it?
Keith: I have never made friends through doing it- it’s all people I know. I was actually attempting to make friends with one guest spot- I wanted William Elliott Whitmore to be on the record, I had never met him before- it didn’t pan out. But, I’ve known all the people that have been on them, and they’re just people I admire, one way or another- musically, artistically, sometimes just socially, where it’s just that I love the dude.
Bryan: I know you’re very close with Dallas Green- which category does he fall into?
Keith: Finding his music, City and Colour, was at a very optimal point in my life. We were in Europe, and I was super fuckin’ homesick, I was losing my mind. Shitty shows, shitty weather, shitty conditions I was on the fuckin’ brink of losing it and quitting the band. Found that CD in our tour manager’s collection, and it was just the perfect thing to calm me down…hate to say the fuckin’ cliché but it spoke to me. So, we got home, and then we did the Warped tour and they were on it, so I met him through that and we ended up becoming friends. I think he’s one of the most incredible voices out there, I mean he’s got more soul in a dude that size than ive ever seen in my life. Little Canadian dude, he’s got so much soul, it’s amazing…
Bryan: Any bands that you’re getting into now, listening to a lot while you’re on the road?
Keith: Right now I’m listening to M. Doughty, who used to sing for a band called Soul Coughing. So that’s what’s on right now.
Bryan: Man, I listened to the cassette of Ruby Vroom (Soul Coughing’s debut) until it broke!
Keith: Oh yeah? I love that stuff! Golden delicious- his solo stuff- is awesome. But the thing is, it’s a lot of Howard Stern, so…
Bryan: On the M. Doughty record?!
Keith: Oh, no no! In the van. Pretty much exclusively. Band of Horses, I can’t stop listening to that. Kings of Leon I fuckin’ love. Just recently I purchased a new Health record…a Stone Roses record…the new Mute Math record…and Def Jux Presents 4 compilation.
Bryan: Any final words for anybody trying to start up and band and get into the music scene?
Keith: If you want to start up a band, you’ve gotta have nothing. You really can’t get into this game with everything and expect longevity. Pretty much start from scratch, and build it up from there. I mean, you can buy your way in, and there’s plenty of bands that have, but nobody takes them seriously. Just be willing to fuckin’ be twenty-nine years old, sitting on a bed that people probably shit on *gesturing again to tour trailer*, in fuckin’ early October, when you could be home, comfy on your couch if you wanted to be. Give it all up.
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Thanks Bryan for hooking me up with that interview, Keith seems like as much of a down to earth guy as you can get, not to mention a total fucking badass. Check out Every Time I Die's latest album New Junk Aesthetic in stores now. Hopefully the Large Hadron Collider won't obliterate the universe before next week when we turn the metal up even more as I put Between the Buried and Me's new album The Great Misdirect under the microscope.
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